The second T20I between India and England in Chennai witnessed a thrilling contest, ultimately decided by a masterful display of batting from India’s middle-order batsman, Tilak Varma. His unbeaten 72 runs proved to be the difference, a performance that even England’s pace bowling all-rounder, Brydon Carse, readily acknowledged in the post-match press conference.

Carse, reflecting on the match, conceded that despite England setting a challenging 166 runs and maintaining consistent pressure through wickets, Varma’s mature and calculated innings tipped the scales decisively in India’s favour. The victory secured a commanding 2-0 lead for India in the five-match series, leaving England with a significant uphill battle.

The match wasn’t just about Varma’s individual brilliance; it also highlighted the contrasting fortunes of England’s bowlers. While Carse himself contributed significantly with both bat (a quick 31 runs off 17 balls) and ball (three wickets), the spotlight fell heavily on Jofra Archer’s expensive spell. Archer conceded a hefty 60 runs in his four overs, a stark contrast to his impressive performance in the previous match.

Carse, however, offered a measured defence of his teammate, attributing Archer’s costly spell to a combination of factors rather than solely attributing blame. He pointed out that several of the boundaries conceded were well-struck shots over the keeper, highlighting the power and precision of the Indian batsmen. He emphasized that Archer’s overall performance wasn’t wholly negative; the expensive spell was an anomaly rather than representative of his capability. The sheer pace at which Archer bowls, Carse suggested, inherently carries a risk of such high-scoring overs.

Despite the defeat, Carse remained resolute about England’s aggressive strategy. He asserted that their approach, characterized by a commitment to taking risks in both batting and bowling during the power play, would remain unchanged. He acknowledged that room for improvement always exists, but stressed their intention to persist with this inherently high-risk, high-reward strategy. The lack of success so far, he indicated, does not warrant a change in their fundamental approach.

Looking ahead, Carse found some solace in the closely contested nature of the match. He viewed the narrow defeat as a positive learning experience, especially given the significance of close games in preparing for future tournaments, including the upcoming Champions Trophy. While acknowledging the disappointment of the loss, he emphasized the value gained from such high-pressure situations, believing that these experiences will be invaluable in their future performances.

The current predicament, however, is undeniable. With two consecutive defeats and only three matches remaining, England faces a daunting task. Carse recognized the lack of margin for error, stating that every remaining game would be a crucial battle. While acknowledging a degree of team disappointment, he expressed a sense of optimism, highlighting the improved performance compared to the first T20I as a building block for future success. The challenge is clear: win the next three matches to salvage the series.

Rashmika Mandanna takes on the monumental role of Maratha queen Yesubai Bhonsale in the highly anticipated historical drama Chhaava, sharing the screen with Vicky Kaushal, who portrays Chhatrapati Shivaji Maharaj. The film’s grand trailer launch on January 22 at Mumbai’s iconic Plaza Theatre showcased the cinematic spectacle to come, leaving Mandanna herself visibly moved.

Overwhelmed by the opportunity, Mandanna expressed her profound gratitude and jokingly declared her readiness for retirement after this career-defining role. “It is an honour. From a girl coming from the South to play Maharani Yesubai is the most privileged and special thing I could ask for in this lifetime,” she shared, her voice thick with emotion.

The weight of portraying such a significant historical figure was palpable, as she confessed the trailer itself brought her to tears. “I tell Laxman sir that after this, I am happy to retire,” she added, highlighting the immense responsibility and impact of the role. Her admiration for Kaushal was also evident, describing him simply as “God” in his portrayal of Shivaji Maharaj.

The journey to embodying Yesubai Bhonsale was one of both excitement and apprehension. Mandanna recounted her initial shock at director Laxman Utekar’s offer, questioning how he could even consider her for such a pivotal part. “I remember being absolutely shocked how did Laxman sir even think of giving me a role like this to play? I just surrendered,” she explained.

The challenge was further amplified by the lack of direct references for portraying such a majestic and influential historical personality. She emphasized the importance of surrendering to the director’s vision and the rigorous preparation involved, particularly mastering the nuances of the language. Extensive rehearsals and unwavering dedication were key to bringing the character to life, she stressed.

Chhaava, a Maddock Films production with music composed by the legendary A.R. Rahman, boasts an ensemble cast including Ashutosh Rana, Divya Dutta, Neil Bhoopalam, Santosh Juvekar, and Pradeep Rawat. The film is slated to hit theatres on February 14th, 2025, a strategic release timed to precede Chhatrapati Shivaji Maharaj Jayanti on February 19th.

With its impressive cast, stunning visuals, and compelling narrative of a powerful historical period, Chhaava promises a cinematic experience that will resonate with audiences.

Mamta Kulkarni, a prominent Bollywood actress of the 1990s, has embarked on a transformative journey, embracing a new life as a Sadhvi (Hindu ascetic) and assuming the esteemed position of Mahamandaleshwar within the Kinnar Akhara, a monastic order dedicated to the transgender community.

This significant shift in her life culminated on Friday at the Mahakumbh Mela, a massive Hindu pilgrimage. There, she officially took sanyaas (renunciation), receiving blessings from Acharya Mahamandaleshwar Dr. Lakshmi Narayan Tripathi following a detailed hour-long discussion about her spiritual path and commitment.

Now known as Shri Yamai Mamta Nandgiri, she is readily identifiable in her adopted saffron robes and Rudraksha garland. Videos circulating on social media platforms vividly capture her in this new spiritual guise, reflecting her complete transformation. The transition wasn’t sudden; according to Tripathi, Kulkarni had been in close contact with the Kinnar Akhara for a year and a half, signifying a period of contemplation and preparation before this public declaration.

The appointment, however, has been shrouded in a degree of secrecy by the Kinnar Akhara. Following the ceremony, Kulkarni and Tripathi met with Ravindra Puri, the President of the All India Akhara Parishad, to discuss her views on religion and her integration into Akhara’s structure. Kulkarni shared her insights, drawing a parallel between her spiritual awakening and a story from the Ramayana, showcasing her understanding of Hindu scriptures.

Kulkarni herself expressed immense joy at participating in the Mahakumbh, emphasizing the profound spiritual significance of the event. Tripathi, in his confirmation of the appointment, stated that the Kinnar Akhara doesn’t restrict its members’ artistic expression, allowing Kulkarni the freedom to pursue devotional roles if she chooses.

The Kinnar Akhara, established in 2015 by Tripathi, has been instrumental in promoting the inclusion and respect of the transgender community within mainstream Indian society. Kulkarni’s decision, viewed against this backdrop, underscores a profound spiritual shift and a commitment to social inclusion within a unique spiritual framework.

Her journey, from the bright lights of Bollywood to the serene path of a Sadhvi, is a compelling narrative of transformation and dedication to a higher purpose. Kulkarni’s past life as a successful actress, starring in films like Karan Arjun, Krantiveer, and China Gate, adds an intriguing dimension to this extraordinary life change.