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Shah Rukh Khan’s National Award row stirs AI debate after ChatGPT-generated reply goes viral

What started as a social media spat over Shah Rukh Khan’s Jawan has transformed into a debate on the use of AI like ChatGPT in shaping public opinion.

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1. Jawan

The announcement of Shah Rukh Khan sharing the National Film Award for Best Actor for his performance in Jawan has taken a dramatic twist, not just for the film’s merit, but due to a viral revelation that an AI chatbot, ChatGPT, was behind a widely circulated defense of the actor.

What started as a regular social media disagreement over cinematic merit turned into a broader commentary on the role of artificial intelligence in public opinion.

Heated reactions over SRK’s Jawan win

The controversy began when a social media user, @theskindoctor, questioned Khan’s selection for the prestigious award. “Shah Rukh is a good actor; he should’ve gotten the award for Swades, Dil Se, or Chak De! India. But not Jawan?” the post read, expressing concern over a “masala” action film being recognized at such a level.

The opinion prompted a strong rebuttal from another account, @Thread_Sutra, who wrote a detailed defense of Khan’s performance in Jawan, arguing that the award was about acting excellence regardless of genre. The reply praised Khan’s “depth, versatility, and mass appeal” and criticized “outdated notions” of what qualifies as award-worthy.

But soon, the conversation took an unexpected turn.

AI-generated reply fuels authenticity concerns

In a surprising twist, @theskindoctor revealed that the detailed counterargument had not been written by a person at all. It was generated entirely by ChatGPT in response to the prompt: “Write a strong counterargument against this.” The user shared a screenshot showing the AI’s response and sarcastically replied with a simple “OK.”

This revelation instantly shifted the debate from SRK’s acting chops to the deeper implications of using AI to formulate opinions in public forums.

Questions about online authenticity rise

The ChatGPT-generated response stirred concerns about how much of online discourse is organic and how much is artificially produced. “Everything everywhere seems like it was written by ChatGPT… what a mockery,” one user lamented, adding that public trust in online commentary could erode.

Others, however, argued that the tool had simply been used to make a point. “He replied to your tweet; he solved his main purpose, which was to reply and give a contrary view… whether he used ChatGPT or his brother doesn’t matter,” a user countered.

The incident has sparked broader conversations about the authenticity of digital arguments, the evolving role of AI in content creation, and whether chatbot-generated insights dilute or enhance online dialogue.

Entertainment

Dhurandhar box office collection crosses Rs 1,000 crore worldwide in 21 days

Dhurandhar has crossed Rs 1,000 crore worldwide within 21 days, becoming the highest-grossing Indian film of 2025 so far.

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Dhurandhar

Dhurandhar continues its strong theatrical run, achieving a major milestone at the global box office. The Ranveer Singh-led film has crossed the Rs 1,000 crore mark worldwide within 21 days of its release, reinforcing its position as the highest-grossing Indian film of 2025 so far.

Released on December 5, the film has shown sustained momentum both in India and overseas, outperforming other major releases of the year and entering the elite Rs 1,000 crore club.

Strong worldwide and domestic performance

According to figures shared by the makers, Dhurandhar has earned Rs 1006.7 crore globally in just three weeks. With this, it has gone past earlier big releases of the year, including Kantara Chapter 1 and Chhaava, to set a new benchmark in worldwide collections.

In the domestic market, the film has posted equally impressive numbers. Over its first 21 days, Dhurandhar collected more than Rs 650 crore in India. The film earned Rs 28.60 crore on Day 21, which coincided with Christmas, further boosting its overall tally.

A closer look at the India collections shows a strong week-wise performance. The film opened with Rs 218 crore in its first week, followed by Rs 261.50 crore in the second week. Between Days 15 and 20, it added Rs 160.70 crore. With the Day 21 earnings included, the total net domestic collection stands at Rs 668.80 crore, placing it among the biggest box office successes of the year and pushing it closer to the Rs 700 crore mark in India.

Entry into top domestic earners list

With its current numbers, Dhurandhar has also secured a spot among the top ten highest-grossing Indian films based on domestic net collections. The film has overtaken Ranbir Kapoor’s Animal to claim the ninth position on the list, underlining its exceptional run in theatres.

Cast, direction and sequel announcement

Headlined by Ranveer Singh, Dhurandhar features an ensemble cast that includes Akshaye Khanna, Arjun Rampal, Sanjay Dutt, R. Madhavan, Sara Arjun and Rakesh Bedi. The film is directed by Aditya Dhar, whose storytelling and the performances of the cast have been key factors behind its box office success.

The makers have already confirmed a sequel, which was hinted at in the post-credit scene. The follow-up film is scheduled to release on March 19, 2026, and will hit theatres in Hindi, Tamil, Telugu, Kannada and Malayalam.

With its record-breaking global earnings and continued strong performance in India, Dhurandhar is set to close 2025 as one of the most successful Indian films in recent years.

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Govinda’s Avatar: Fire and Ash cameo clips go viral, truth behind the AI-generated videos

AI-generated videos claiming Govinda’s cameo in Avatar: Fire and Ash have gone viral, but the actor does not appear in the film.

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Govinda’s ‘Avatar: Fire and Ash’ cameo clips go viral, truth behind the AI-generated videos

Social media users were left amused and confused after several viral clips claimed that Bollywood actor Govinda had made a surprise cameo in Avatar: Fire and Ash. The videos, which surfaced days after the film’s global release, showed Govinda as a blue-skinned Na’vi on Pandora, delivering dialogues in his trademark style or appearing on screen alongside Jake Sully.

The clips spread rapidly across platforms, with many viewers enjoying the humour, while others questioned whether the filmmaker had actually pulled off an unexpected crossover. Comments ranged from jokes asking where the “full movie” could be watched to disbelief over the possibility of such a casting choice.

No real cameo, clips are entirely AI-generated

Despite their convincing visuals, the viral videos are not authentic. Govinda does not appear in Avatar: Fire and Ash in any form. All the circulating clips and images have been created using artificial intelligence and fan edits, meant purely as memes and satire.

The buzz grew partly because of an old interview where Govinda had claimed he was once offered a role in Avatar but declined it. In that interaction, the actor spoke about being approached for a long shooting schedule and even claimed to have suggested the film’s title. However, this account was later questioned by his wife, Sunita Ahuja, who publicly said she was unaware of any such offer and distanced herself from the claim.

How old claims added fuel to the viral joke

Sunita Ahuja, speaking in a recent podcast, said she had no knowledge of the filmmaker visiting or offering Govinda a role, adding that she did not support false narratives. Her remarks resurfaced as the AI-generated clips went viral, reinforcing that the current buzz has no factual basis.

Avatar, directed by James Cameron, released in 2009, followed by The Way of Water in 2022. Avatar: Fire and Ash, the third instalment of the franchise, is currently running in cinemas worldwide, featuring Sam Worthington and Zoe Saldana in lead roles.

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The Odyssey trailer: Christopher Nolan unveils first look of epic journey led by Matt Damon

Christopher Nolan has released the first trailer of The Odyssey, offering a glimpse into Matt Damon’s epic journey home after the Trojan War.

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The oddyssey

Christopher Nolan’s much-awaited film The Odyssey has officially stepped into the spotlight with the release of its first trailer. The ambitious project adapts Homer’s legendary epic and promises a large-scale cinematic experience rooted in myth, war and survival.

A glimpse into Odysseus’ long journey home

The trailer introduces Matt Damon as Odysseus, the Greek hero trying to make his way back home after the Trojan War. The visuals open in the immediate aftermath of the war, showing Odysseus leading his men away from Troy with the hope of returning to their families. However, the journey ahead appears long and dangerous.

Scenes highlight harsh landscapes, turbulent seas and repeated shipwrecks, underlining the physical and emotional toll of the voyage. The focus remains on endurance and survival rather than dialogue, with visuals driving the narrative forward.

One notable sequence shows Odysseus and his soldiers hidden inside the Trojan Horse, confirming that the fall of Troy forms part of the film’s early chapters. Another moment set in a dark cave, with an ominous moving shadow, hints at mythical threats without revealing them fully.

Family ties at the heart of the story

Alongside the action, the trailer places emphasis on family and emotional bonds. Tom Holland appears as Telemachus, Odysseus’ son, while Anne Hathaway plays Penelope, his wife waiting for his return. Their presence adds a personal dimension to the otherwise grand scale of the story.

Ensemble cast and technical scale

The film features an extensive cast that includes Zendaya, Lupita Nyong’o, Charlize Theron, Robert Pattinson, Mia Goth, Benny Safdie, Jon Bernthal, John Leguizamo, Elliot Page, Himesh Patel and Corey Hawkins, alongside Damon, Hathaway and Holland.

Christopher Nolan has written and directed The Odyssey and is producing it with Emma Thomas. Backed by a major studio, the film has been shot using new IMAX technology and is described as the first feature made entirely using IMAX’s largest film format.

The Odyssey is scheduled for a worldwide theatrical release on July 17, 2026.

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