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From Modern Love Mumbai to Four More Shots, a look at overrated Indian shows

5 overrated Indian shows to flee from.

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Modern Love Mumbai

With the advent of OTT platforms in India, the Indian audience bid adieu to the ‘saas-bahu drama’ on television. Myriad shows, dedicated to the OTT audience, have been released for the past few years, especially during the coronavirus pandemic.

The audience got the substance and relatability they needed in the content they consumed and were freed from stereotypical and regressive content served on Hindi channels.

Production houses released web shows and films on OTT platforms every week which is overwhelming for the audience. There are shows that created a hullabaloo among fans with their first part and on the flip side, there are shows that fizzled out after their first episode. And there are also shows with out-of-the-box marketing on social media but didn’t turn out to be worth the hype.

With the N-number of OTT platforms around, it was natural that there would be N-number of shows. If you are a sucker for Indian web shows, you might have friends who can’t stop talking about a particular show and made you binge-watch it but you were disappointed! This article is for you poor souls who end up choosing overrated shows going by social media trends.

5 overrated Indian shows to flee from

Fabulous Lives of Bollywood Wives

Nepotism has many negative sides but Karan Johar took the cliche and turned it upside down. He featured his four best buddies Seema Kiran Sajdeh, Neelam Kothari, Bhavana Pandey, and Maheep Kapoor and doled out a 21st-century favour to them by helping them retain their long-lost fame or the fame their husbands never enjoyed.

Fabulous Lives of Bollywood Wives is like a drunk mistake everyone regrets the next morning. And they had the audacity to come up with a second season? Why? Why was this series even made? Netflix! Why so tasteless?

Modern Love Mumbai

Bankrolled by Pritish Nandy, this Amazon Prime Video series brings you six stories of human connection. The six-story series has been directed by Shonali Bose, Hansal Mehta, Alankrita Shrivastava, Vishal Bhardwaj, Nupur Asthana, and Dhruv Sehgal.

Inspired by Modern Love by John Carney, Modern Love Mumbai has beautiful stories but what’s new. Similar themes and content have been seen in Lust Stories and Made in Heaven and films like Kapoor And Sons and Tamasha. Six stories dealing with people’s complexities and finding love and connection are monotonous and can be seen in every other OTT series. Yawn!

Four More Shots Please!

Starring Bani J, Sayani Gupta, Kirti Kulhari, and Maanvi Gagroo in the lead, Four More Shots Please is an utter waste of time. It’s a weak-ass watered-down version of Sarah Jessica Parker’s Sex And The City. The acting, plot, and dialogues seem to be written by the scriptwriter under extreme duress, such as at gunpoint. And the drama in the show will remind you of the much-criticised portrayal of feminism in Rhea Kapoor’s film Veerey Di Wedding.

Little Things

Starring Mithila Palkar and Dhruv Sehgal, Little Things has very little substance. Same old mundane urban relationship and cohabitation scuffle. The show is popular among the young, but again the story is as stale as a week-old loaf of bread. Palkar has already appeared in similar content produced by Filter Copy and TVF. Moreover, the makers came up with sequels which kind of pulverised the little substance the show had into nothing.

Aarya

The crime-thriller might have changed Sushmit Sen’s life for good but the show is just another casual watch on Hotstar. With shows like Criminal Justice, Made In Heaven, The Great Indian Murder, et al, Aarya is like a showpiece in your living room, gathering dust and no one caring to clean it. The only watchable thing about Aarya is Sen who returned to the screen after years of hiatus.

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120 Bahadur box office day 1: Farhan Akhtar’s film starts slow with Rs 2.35 crore opening

Farhan Akhtar’s new release 120 Bahadur opened to Rs2.35 crore, while De De Pyaar De 2 continued its strong hold on day eight.

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Farhan akhtar

Farhan Akhtar’s latest release 120 Bahadur hit theatres on November 21 but registered a dull opening on its first day, earning Rs 2.35 crore. In comparison, De De Pyaar De 2, which is now in its second week, continues to show stronger hold at the box office.

Slow start for 120 Bahadur on day one

The action-drama opened to modest numbers on Friday, collecting Rs2.35 crore on its first day. Despite pre-release buzz around Farhan Akhtar’s performance, the film has begun its run on the lower side.

De De Pyaar De 2 maintains its advantage

Meanwhile, De De Pyaar De 2 continues its steady run. On its eighth day, the film maintained an edge over 120 Bahadur in overall earnings, according to media. The strong hold of the Ajay Devgn-led sequel appears to have impacted the new release’s opening day business.

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Family Man 3 ending triggers online backlash despite strong reviews

The Family Man 3 has impressed viewers with its performances and storytelling, but its abrupt ending has sparked online criticism, leaving fans demanding closure.

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Family man

Fans of The Family Man 3 are celebrating the gripping new season, but a large section of viewers has taken to social media to criticise what they describe as an “abrupt” and “unsatisfying” ending. The latest season, which released on Amazon Prime Video on Friday, has drawn praise for its emotional depth and high-stakes storytelling, yet its final moments have left many feeling short-changed.

Viewers disappointed with the “sudden” conclusion

Soon after the release, frustrated fans began sharing their reactions online. One viewer wrote that the season “ends so abruptly it feels like the makers simply packed up and went home,” calling the lack of closure “exhausting”. Another comment read, “#TheFamilyMan3… ahh ending entra. Fully disappointed.”

Some tried to strike a balanced tone, acknowledging the well-crafted emotional arc and a comic cameo stretch that offered relief. However, the overall complaint remained the same — that the season cuts off just when the tension reaches its peak. “Why make us watch the entire season if the makers plan to keep the best part hanging for the next one?” a user questioned.

Still, many fans have labelled the show “engaging” and applauded the team for delivering another compelling chapter.

Season 3: Srikant caught between personal turmoil and a national crisis

The new season places Srikant Tiwari (Manoj Bajpayee) in one of the most complicated phases of his life. His relationship with Suchitra (Priyamani) appears strained, marked by distance and unspoken tension. Even as his home life falters, a series of coordinated blasts in the Northeast within 48 hours threatens a major peace initiative led by Prime Minister Basu (Seema Biswas).

Srikant and his senior officer Gautam Kulkarni (Dalip Tahil) travel to Nagaland to salvage Project Sahakar, relying on regional leader David Khuzou (Sunil Thapa) to bring warring sides to agreement. But the fragile situation collapses after a deadly ambush by drug kingpin Rukma (Jaideep Ahlawat), leaving David and Kulkarni dead. Srikant survives but soon becomes a suspect as investigators scrutinise how he was the only one aware of the convoy’s route.

Meanwhile in Mumbai, Suchitra faces her own crisis after the government bans 69 Chinese apps, including her platform ShrinkMe, sparking online targeting that impacts her family.

With an arrest warrant issued against him, Srikant chooses to escape with his family, setting off a tense chase as he tries to prove his innocence. Each twist raises new questions — who planned the ambush, and why is Srikant being framed?

Final reactions

While audiences largely appreciated the writing, performances and momentum, the widespread sentiment remains that the season’s final act lacked the closure fans expected. Many now hope the next instalment arrives sooner and concludes the arc that Season 3 left unresolved.

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Satish Shah, beloved Sarabhai vs Sarabhai actor, passes away at 74 in Mumbai due to kidney failure

Veteran actor Satish Shah, celebrated for his iconic comic roles in Sarabhai vs Sarabhai and Jaane Bhi Do Yaaro, passed away in Mumbai at the age of 74 due to kidney failure.

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Satish Shah

Veteran Bollywood actor Satish Shah, best known for his memorable comic roles in films and television, passed away on Saturday in Mumbai. He was 74.

Filmmaker Confirms The News

Confirming the tragic news, filmmaker Ashoke Pandit expressed grief over the actor’s demise, saying that Shah died around 2:30 pm following kidney failure. His condition reportedly worsened at home before being rushed to the hospital, where he could not be revived. His cremation is expected to take place later today.

“It’s a very big loss for the industry. I have worked with him on many projects,” said the filmmaker, recalling that he learned about Shah’s death shortly after attending adman Piyush Pandey’s last rites.

A Legacy Of Laughter

Born on June 25, 1951, in Bombay (now Mumbai), Satish Shah hailed from a Kutchi Gujarati family. His career began in 1978 with Arvind Desai Ki Ajeeb Dastaan, but it was his portrayal of Municipal Commissioner D’Mello in the 1983 satire Jaane Bhi Do Yaaro that brought him widespread recognition.

Over a remarkable film career spanning decades, Shah appeared in more than 250 movies, including Hum Saath Saath Hain (1999), Kal Ho Naa Ho (2003), Mujhse Shaadi Karogi (2004), and Om Shanti Om (2007).

Television Stardom

Shah also left a lasting impact on Indian television. His 1984 sitcom Yeh Jo Hai Zindagi became iconic, where he played a new character in each of its 55 episodes. His role as Indravadhan Sarabhai in Sarabhai vs Sarabhai (2004), opposite Ratna Pathak Shah, remains one of the most loved comic portrayals in Indian TV history.

He also starred in Filmy Chakkar (1995) and later judged comedy-based reality shows such as Comedy Circus, continuing his association with humour and entertainment.

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