Bollywood Yearender 2022: From Deepika Padukone’s saffron bikini in Besharam Rang to Ranveer Singh’s oops photoshoot, the biggest controversies
The year 2022 saw many Bollywood stars landing in trouble and being trolled for some legitimate and bizarre mistakes. Even though they are still in the news, we take you down memory lane on the controversies that dogged Bollywood this year.
Tinsel town shines bright like a diamond as the year ends but it has a dark side as well. The actors, who we think are living the good life, land in trouble very often due to their slightest mistakes.
Hindi cinema is already suffering the ill-effects of the trend of films getting boycotted, and amid this armtwisting, many actors, filmmakers are blasted for their comments, tweets or even the dresses they wear or even when they don’t.
2022 saw a number of Bollywood stars in deep hot water and being trolled for some legitimate and bizarre mistakes. Even though they are still in the news, we take you down memory lane on the controversies that dogged Bollywood this year.
Deepika Padukone’s saffron bikini in Besharam Rang
As soon as the Shah Rukh Khan-Deepika Padukone starrer Pathaan’s song Besharam Rang was released, it won kudos and love from the fans but also a lot of criticism from the BJP functionaries and right wing organisations.
Madhya Pradesh Home Minister Narottam Mishra said the green and saffron colours of the actors’ clothing, as well as the song’s lyrics and the movie’s title, all need to be fixed before the movie’s release in January 2023. Many other Hindu outfits staged protests across the country, demanding a ban on the film.
Ranveer Singh charged after his naked photoshoot
Ranveer Singh has previously been the subject of jokes because of his zany wardrobe choices, which frequently shock the eyeball.
But in September this year, he dropped every bit of them! The actor went buck naked for a photoshoot for PAPER magazine.
An FIR was filed against him in Mumbai and a number of social activists even launched a campaign to collect clothes for the actor.
IFFI jury chief Nadav Lapid and The Kashmir Files
The Kashmir Files, directed by Vivek Agnihotri, grabbed attention throughout the year. Israeli director and IFFI jury chair Nadav Lapid said the film was vulgar and propaganda, which sparked a heated discussion.
Lapid made several comments against the film during the closing ceremony of the 53rd IFFI, which sparked debate against him. Some defended him, while others accused him of being unsympathetic to the plight of Kashmiri Pandits.
Kaali Poster controversy
Leena Manimekalai, an Indian documentary maker, posted the poster she curated for her film Kaali, which kicked up a row. The depiction of Goddess Kali smoking a cigarette in this poster offended many people.
In addition to smoking, the poster showed the actress portraying Kali holding a trishul in one hand and the LGBTQ pride flag in the other. Many said that the Hindu deity was being disrespected and called for the filmmaker to face harsh punishment. After the outcry, the filmmaker was the target of numerous FIRs, but she stood her ground.
Jacqueline Fernandez, Nora Fatehi get ED summons
Bollywood actors Jacqueline Fernandez and Nora Fatehi were summoned by the Enforcement Directorate (ED) in the money laundering case launched against alleged conman Sukesh Chandrasekhar.
Chandrashekhar was introduced to both actors by Bollywood actor Pinky Irani. In August, the ED’s Delhi office summoned Fatehi, and in September, the ED repeatedly recorded Fernandez’s statement for the case.
Richa Chadda’s Galwan moment
The Gangs of Wasseypur actor was the recipient of harsh criticism for her reply “Galwan says Hi” to a tweet quoting the Northern Command GOC-in-C saying the Indian Army was prepared to wrest back Pakistan-occupied Kashmir.
Akshay Kumar was among the celebrities who criticised Richa Chadda for her comment. Veteran actor Prakash Raj, a Modi critic, defended her and denounced Akshay Kumar. She also faced backlash from Shiv Sena spokesperson Anand Dubey, who demanded stern action against the “anti-national” actor from Maharashtra CM Eknath Shinde and Home Minister Amit Shah.
Sajid Khan in Bigg Boss 16 and #MeToo
In October 2021, the #MeToo movement converged on Bigg Boss Season 16 when Sajid Khan was listed as a participant.
Khan had been accused of sexually harassing nine women. Due to his nomination, actors Ali Fazal, Mandana Karimi, Sherlyn and Saloni Chopra, as well as singer Sona Mohapatra, all demanded that he be kicked off Bigg Boss. But Bigg Boss, as we know, thrives on any publicity, good, bad or the #MeToo kind.
Dhanush divorces Aishwarya Rajinikanth
Cinema is where romance and real-life love stories are brought to life, as seen in the Dhanush and Aishwarya Rajinikanth’s divorce.
Divorces and breakups occasionally make the news, though. The couple had two sons after their wedding in 2004. They requested that people respect their privacy when they announced their separation earlier this year on social media.
Sky Force social media review: Audiences say Akshay Kumar’s movie average
Supporters of Sky Force enthusiastically celebrate its impressive technical achievements. The cinematography is frequently lauded for its breathtaking visuals, effectively capturing the tension and drama inherent in the storyline.
Akshay Kumar and Veer Pahariya’s latest action drama, Sky Force, made its theatrical debut on January 24th, 2025, igniting a firestorm of diverse opinions across social media platforms. The film, inspired by true events surrounding one of the most intense airstrikes between India and Pakistan, has become a battleground of contrasting viewpoints, leaving audiences sharply divided.
While some hail it as a cinematic triumph, others dismiss it as yet another underwhelming offering from the Bollywood powerhouse, Akshay Kumar. This stark dichotomy underscores the film’s failure to achieve a consensus among viewers, leaving its overall impact uncertain.
Supporters of Sky Force enthusiastically celebrate its impressive technical achievements. The cinematography is frequently lauded for its breathtaking visuals, effectively capturing the tension and drama inherent in the storyline.
The background score, too, receives considerable praise for its ability to amplify the emotional impact of key scenes, enriching the overall viewing experience. The sharp screenplay is also commended for its ability to maintain a compelling narrative throughout the film’s runtime.
Conversely, the film’s detractors point to a plethora of shortcomings. Many critics express disappointment with Akshay Kumar’s performance, suggesting a lack of dedication to the role and a reliance on a teleprompter. The storyline itself is frequently criticized for its predictable plot points and underdeveloped characters, failing to resonate with many viewers.
The film’s pacing also comes under fire, with some claiming a disjointed narrative structure that hinders the overall viewing experience. The CGI, a crucial component in any aerial action film, is deemed underwhelming by many, further diminishing the film’s appeal. Comparisons to other recent action films, notably Fighter, are frequently made, often to Sky Force’s detriment.
Despite these criticisms, Akshay Kumar’s portrayal of his character garners some positive feedback, with certain viewers praising his performance as the film’s saving grace. However, even this praise is tempered by the overall criticisms levied against the movie’s narrative and technical aspects.
In essence, Sky Force remains a deeply divisive film, failing to garner widespread critical acclaim. While its technical achievements are undeniable, the film’s flaws in terms of storyline, character development, and certain aspects of the acting performance prevent it from reaching its full potential.
The film’s ultimate success will hinge on whether its box office performance can overcome the negative feedback and divided audience response. Only time will tell whether Sky Force will achieve a lasting impact.
In Ashwni Dhir’s latest directorial venture, Hisaab Barabar, the central theme revolves around a common man taking on an unjust system—an age-old concept that rarely fails to resonate with audiences. However, despite R Madhavan’s earnest portrayal of the protagonist, the film struggles to deliver a compelling narrative, falling short of its potential.
At the core of Hisaab Barabar is Radhe Mohan Sharma, an Indian Railways ticket examiner played by Madhavan. Sharma, a diligent single father, has an obsessive passion for numbers, a trait that propels him into a battle against a corrupt private bank. When he discovers a minor discrepancy of 27 rupees and 50 paise missing from his account, his seemingly simple quest for an explanation unravels into a larger conflict with Mickey Mehta (Neil Nitin Mukesh), the unscrupulous owner of the bank.
The film’s premise—an ordinary man’s war against the system—holds promise. However, the execution fails to capitalize on this potential. The narrative unfolds along predictably conventional lines, lacking the depth or unpredictability needed to keep viewers engaged. Sharma’s relentless pursuit of justice feels formulaic, with few surprises in store for the audience.
The film drifts between moments of mild humor and heavy-handed seriousness, ultimately struggling to find a rhythm that resonates. Radhe Mohan’s character, while driven by a strong moral compass, never evolves beyond his defining trait of being a number cruncher. As a result, despite Madhavan’s best efforts, the character lacks emotional depth, making it difficult for viewers to fully invest in his journey.
Kirti Kulhari, who plays a key role as a passenger with a connection to Sharma’s past, faces a similar issue. Although her character seems poised to offer emotional or narrative weight, she too remains underdeveloped. Her motivations and character arc are not explored sufficiently, leaving her character largely reactive to the actions of the lead. Kulhari’s performance, however, remains solid despite the constraints of the role.
On the opposite side of the spectrum, Neil Nitin Mukesh stands out as the greedy and manipulative bank owner, Mickey Mehta. His portrayal is flamboyant, and while the character’s exaggerated traits occasionally make him a more engaging figure, the lack of real conflict or challenge between him and Sharma detracts from the stakes of the story.
The film’s attempt at social commentary—highlighting the exploitation of middle-class bank customers—is timely, but the execution falls flat. Hisaab Barabar struggles to balance its critique of corruption with its dramatic elements, leading to a somewhat disjointed viewing experience. Despite a few relatable moments and its intentions to provoke thought, the film ultimately lacks the punch required to leave a lasting impact.
The central message, which advocates for the power of patience and perseverance in the face of overwhelming odds, is clear. However, it is delivered with such predictability that it fails to inspire or engage. The film does not venture beyond its safe, established formula of the David versus Goliath struggle, which leaves little room for the audience to feel any real stakes or tension.
Ultimately, Hisaab Barabar is a missed opportunity. While the film’s premise and Madhavan’s performance offer glimpses of what could have been, its lack of narrative depth, underdeveloped characters, and uneven execution prevent it from making any significant impact. What starts as a promising drama about an ordinary man against a corrupt system ends up as a forgettable, by-the-numbers affair.
As the weekend draws near, OTT platforms are serving up an exciting variety of new content to keep you entertained. With genres ranging from lighthearted romantic comedies to gripping thrillers, January 24, 2025, promises to offer something for everyone. Here’s a look at five highly anticipated releases to stream this Friday:
1. Sivarapalli – Amazon Prime Video
Release Date: January 24, 2025 Fans of the hit show Panchayat are in for a treat with Sivarapalli, a Telugu remake of the much-loved series. Set in the rural village of Sivarapalli in Telangana, the show follows an engineering graduate who is reluctantly thrust into the role of Panchayat Secretary. The series promises to offer a heartwarming and humorous look at rural life in India. With its relatable characters and small-town charm, Sivarapalli will appeal to fans of the original while also attracting new viewers. Stream it on Amazon Prime Video starting this Friday.
2. Sweet Dreams – Disney+ Hotstar
Release Date: January 24, 2025 This romantic dramedy features Mithila Palkar and Amol Parashar as Kenny and Dia, two people who embark on an unconventional journey to find their dream partners—literally. When both of them dream about meeting someone, they set out to find these mysterious figures in real life. The quirky premise and charming performances make Sweet Dreams an ideal weekend watch for those in the mood for something lighthearted yet intriguing. Available for streaming on Disney+ Hotstar.
3. The Sand Castle – Netflix
Release Date: January 24, 2025 In this mystery thriller, a family of four finds themselves stranded on a deserted island where survival becomes a battle. Tensions rise as long-buried secrets come to light, threatening to tear the family apart. Directed by Matty Brown, The Sand Castle promises a gripping, edge-of-your-seat experience with its mix of mystery, suspense, and drama. With an IMDb rating of 7.9, this thriller is one not to miss. Catch it on Netflix this Friday.
4. Hisaab Barabar – Zee5
Release Date: January 24, 2025 Hisaab Barabar is a satirical drama that delves into corruption and the quest for justice. The film follows Radhe Mohan Sharma, a railway ticket inspector who uncovers a massive financial scam after discovering discrepancies in his own bank account. Starring R Madhavan and Neil Nitin Mukesh, this social drama combines suspense with humor, making it an intriguing watch. With a strong storyline and sharp social commentary, Hisaab Barabar is now streaming on Zee5.
5. Saubhagyavati Sarpanch – Ultra Jhakaas
Release Date: January 24, 2025 This inspiring drama tells the story of Awali, a housewife who unexpectedly becomes a Sarpanch, leading her village towards progressive change. The series touches on themes of women’s empowerment, as Awali challenges traditional norms and works towards social improvement. The show’s focus on overcoming societal barriers makes it a powerful narrative about hope, determination, and the transformative role of women in shaping society. Stream it now on Ultra Jhakaas.
The OTT platforms this weekend bring an exciting mix of genres, from the emotional depth of Sivarapalli to the mystery and tension of The Sand Castle. Whether you’re in the mood for romance, drama, or suspense, January 24 has something for everyone. Be sure to mark your calendars and catch these releases as they drop this Friday.
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