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Actor Nagarjuna reacts to demolition of N-Convention centre in Hyderabad, says pained by unlawful action

The land is a Patta land, and not even an inch of tank plan is encroached, he added.

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Tollywood actor Akkineni Nagarjuna on Saturday reacted to the demolition of his owned establishment N-Convention centre by the Hyderabad Disaster Response and Assets Monitoring and Protection (HYDRA) authorities saying he was pained by the unlawful action.

The Megastar, in a post on X, said that he was pained by the unlawful manner of demolition carried out in respect of N-Convention, contrary to existing stay orders and Court cases.

“I thought it fit to issue this statement to place on record certain facts for protecting my reputation and to indicate that we have not done any actions in violation of the law. The land is a Patta land, and not even an inch of tank plan is encroached”, he added.

In respect of the building constructed inside the private land, there is a stay order granted against any earlier illegal notice for demolition, the Telugu actor said. Today clearly, the demolition was carried out wrongfully based on misinformation and there was no notice issued prior to carrying out the demolition this morning, Nagarjuna added.

The actor said: “As a law-abiding citizen, if the Court before which the matter is pending, had decided against me, I would have carried out the demolition myself. I am placing this on record for the purpose of correcting any public misimpression about wrongful constructions or encroachment by us. We would be seeking appropriate relief from the Court in relation to the wrong actions carried out by the authorities.”

According to reports, officials of Hyderabad Disaster Management and Asset Protection Agency, along with the police, carried out a demolition drive at N Convention Hall near Shilparamam in Rangareddy district.

Madhapur DCP said the HYDRAA officials had started demolishing the N Convention Hall this morning and the authority has deployed a police force to ensure the demolition is carried out smoothly, as the land comes under the FTL zone.

The N-Convention Centre, which was constructed on a 10-acre plot, has been facing scrutiny for a while. It is now being demolished due to allegations of illegal construction within the Full Tank Level (FTL) area and the buffer zone of the Thammidikunta Lake in the Madhapur area of the city.

According to official records provided by the executive engineer of the North Tank Division, the FTL area of Thammidikunta Lake is approximately 29.24 acres. It is alleged that the N-Convention Centre encroached on about 1.12 acres of the FTL area and an additional 2 acres within the buffer zone.

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Pushpa 2: The Rule confirms 56-day theatre exclusivity before OTT release

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Pushpa 2: The Rule movie poster featuring Allu Arjun and Rashmika Mandanna

Amid growing anticipation and speculation about the digital release of Pushpa 2: The Rule, the film’s production team has clarified the timeline for its arrival on OTT platforms. Following its theatrical release earlier this month, the sequel to the 2021 blockbuster Pushpa: The Rise continues to captivate audiences with its high-octane action and gripping storyline.

On Friday, the film’s production house, Mythri Movie Makers, took to X (formerly Twitter) to address the ongoing rumors about an early digital release. In a tweet, they confirmed that the film will remain exclusively in theatres for a minimum of 56 days, ensuring that fans can enjoy the experience on the big screen without the distraction of online streaming.

“We know there are rumors floating around about the OTT release of #Pushpa2TheRule,” the tweet read. “Enjoy the biggest film #Pushpa2 only on the big screens this holiday season. It won’t be on any OTT before 56 days! It’s #WildFirePushpa only in theatres worldwide (fire emoji).”

The clarification was met with an overwhelmingly positive response from fans, many of whom shared their enthusiasm about the decision. One fan commented, “Pushpa 2 deserves the big screen experience. Let’s keep the wildfire alive,” while another expressed approval with, “It won’t be on any OTT before 56 days! Brilliant decision.” Fans praised the move for maintaining the film’s theatrical exclusivity before venturing into digital platforms.

In addition to the theatrical release, the film is slated to feature an extended version, adding 18 more minutes of footage. This updated cut is scheduled for release on December 25, coinciding with the Christmas holiday season, ensuring a festive treat for audiences.

Pushpa 2: The Rule, directed by Sukumar, is the highly anticipated sequel to Pushpa: The Rise, and continues the saga of Pushpa Raj, a laborer-turned-sandalwood smuggler, played by Allu Arjun. The movie, which was released in multiple languages, including Hindi, Tamil, Kannada, Bengali, and Malayalam, has already made a remarkable impact at the box office. As of now, Pushpa 2 has crossed Rs. 1004.35 crore net in India, joining the ranks of other major blockbusters like Baahubali 2, RRR, Pathaan, and Jawan in the coveted Rs. 1,000 crore club.

Produced by Mythri Movie Makers, the film also features Jagapathi Babu, Dhananjaya, Rao Ramesh, Sunil, and Anasuya Bharadwaj in pivotal roles. With its massive success, Pushpa 2: The Rule has firmly established itself as one of the biggest hits of 2024, and fans are eagerly awaiting the extended version for an even greater cinematic experience.

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Mufasa – The Lion King Review: Shah Rukh Khan’s voice brings magic to the prequel

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Shah Rukh Khan brings magic to Mufasa: The Lion King with his unforgettable voice performance in the Hindi-dubbed version.

Shah Rukh Khan’s iconic voice takes center stage in Mufasa: The Lion King, elevating this animated prequel to new heights. The film, which explores the origins of the beloved Lion King character, is a prequel to 2009’s The Lion King, and delivers a heartwarming tale of family, friendship, betrayal, and love. Directed by Barry Jenkins, the movie is a stunning visual feast, boasting groundbreaking animation and intricate details that bring the animal kingdom to life.

Khan’s voice performance as Mufasa, the orphaned lion cub with a destiny to rule, infuses the character with the star’s trademark romantic charisma and wisdom. Even in animated form, Khan’s aura shines through, adding a layer of emotional depth that resonates with audiences. His delivery of the Hindi dialogues—filled with humor, drama, and moments of introspection—grounds the film in a cultural touchstone that appeals to Indian audiences. The film offers a unique Hindi dubbing experience, which enhances the story with a local flavor, making it all the more relatable.

The film’s plot follows Mufasa’s journey as he seeks a place to call home, despite being separated from his family. Along the way, he meets new companions, including Taka, the rebellious son of the king, who becomes both a friend and a rival. Themes of love, jealousy, and betrayal run deep as Mufasa navigates the challenges of his world, including the power-hungry King Kiros. The narrative, told by the wise Rafiki, draws on themes of finding one’s place in the world, with a sense of hope and unity guiding the characters.

Visually, the film is a marvel. The animation is incredibly realistic, capturing the power and grace of the animals with breathtaking detail. However, the polished look of the film sometimes feels too neat, missing the chaotic vibrancy of the wilderness. Despite this, the technical prowess and dynamic animation make Mufasa: The Lion King an unforgettable cinematic experience.

The film is filled with emotional highs, especially as Mufasa begins to understand his place in the world. His journey is not just about survival, but about finding a sense of belonging and purpose. The connection between him and the other characters, particularly the romantic tension with the lioness Sarabi, adds an extra layer of drama.

The Hindi dub of the film brings its own flavor, blending street-style Bollywood lingo with the majestic world of the Lion King. While some of the dialogue may feel out of place, it succeeds in giving the film a unique touch that will resonate with Indian audiences, especially Shah Rukh Khan’s fans. His delivery of iconic lines like “Main Hoon Na” infuses the film with a distinctly Bollywood magic that is bound to win over fans.

In conclusion, Mufasa: The Lion King is a remarkable prequel that balances spectacular animation with a timeless story. With Shah Rukh Khan’s voice bringing life to the title character, it becomes an experience that Bollywood fans will not want to miss. The film is an improbable yet perfect union of Disney’s grandeur and Khan’s on-screen magic, making it a must-watch for fans of both.

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Upendra’s UI review: a dystopian journey of metaphors and self-introspection

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Upendra's UI film features stunning VFX and metaphors addressing societal issues.

Upendra’s latest directorial venture, UI, released in theatres on December 20, 2024, after a two-year production process. The film marks his return to direction after a nine-year hiatus, his last directorial being the 2015 Kannada hit Uppi 2. Known for his unique narrative style, Upendra’s films have always been a blend of the unconventional and the thought-provoking. Does UI live up to the expectations set by his previous work? Let’s dive into the details.

The story of UI unfolds in an imaginary, dystopian world, bringing together individuals of various castes, creeds, and nationalities. In this one cohesive setting, Upendra addresses universal societal problems, reflecting on the condition of humanity. The film’s narrative is intricate and layered, making it challenging to explain without diving into spoilers. The deeper questions regarding the movie’s message are left to the viewers to interpret—what exactly is Upendra trying to convey with this thought-provoking journey?

As anticipated from Upendra’s directorial work, UI offers a narrative that leaves the audience pondering long after the credits roll. Using metaphors as a tool, the film explores socio-political issues while encouraging self-introspection. While the storytelling and performances may feel a bit old-school, the socio-political commentary and satirical tone add intrigue, keeping the audience engaged throughout. Overall, UI stands as a testament to Upendra’s distinctive style, fitting into his “director’s genre.”

Here is the first look teaser of UI:

The technical aspects of the film play a significant role in elevating its storytelling. The set designs are visually stunning, capturing the diversity of the imagined world. The VFX is seamlessly integrated into the narrative, enhancing the overall cinematic experience. Although some songs may not fully resonate, their lyrics complement the storytelling effectively. One song, in particular—“Cheap Song”—teased in the pre-release promotions—stands out as a memorable addition. The background score, composed by B Ajaneesh Loknath, adds depth and emotion to the film.

Upendra’s performance is the film’s focal point, with him leading the charge and carrying much of the narrative on his shoulders. Reeshma Nanaiah, though having limited screen time, delivers a solid performance. Supporting actors like Ravishankar, Sadhu Kokila, and Achyuth Kumar also fit seamlessly into their roles, though the film places more emphasis on the characters’ symbolic meaning rather than the individual performances.

The metaphorical elements in UI are the strongest aspect of the film. While it is less convoluted than some of Upendra’s previous works such as A and Uppi 2, this simplicity works in its favor. The film communicates its complex messages effectively without overburdening the audience. Upendra has also taken to X, engaging with fans about the movie, eagerly awaiting their interpretations and analysis of the film’s deeper meanings.

With its visual grandeur, UI is undoubtedly a cinematic experience that should be seen on the big screen. However, the film’s rich, message-driven narrative may prompt viewers to return multiple times to truly understand its layers. Produced by G Manohar and KP Shreekanth under the banner of Lahari Films, the film benefits from exceptional VFX work by Naveen Manohar. The music by B Ajaneesh Loknath further elevates the film’s immersive experience.

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