English हिन्दी
Connect with us

Entertainment

Babygirl film review: Nicole Kidman sparks a fiery blend of power, submission

Given the film’s focus on sex, strong performances are crucial. Dickinson successfully navigates a character whose combination of youthful awkwardness and bedroom confidence could have been challenging to portray.

Published

on

Nicole Kidman’s performance in her latest film, Babygirl, is engaging from the outset, but it feels distinctly like acting—at least, her character’s portrayal does. Kidman plays Romy Mathis, a New York CEO, who, during an opening scene, experiences an orgasm while having sex with her husband, Jacob (Antonio Banderas). However, as the film progresses, we come to realize that this initial experience was merely a façade.

The film sharpens the conversation surrounding opportunities for older women actors. Demi Moore may soon take home an Oscar for her poignant depiction of the struggles of middle age in The Substance, while Kidman finds herself in a prominent role that involves Botox, submissive fantasies, and sexual encounters that serve as pivotal plot points.

Babygirl tackles provocative themes, addressing the experiences of senior women in corporate environments, age-gap relationships, and S&M dynamics, all presented without a clear agenda. It playfully asks, “How inappropriate do you find this?” Next, we see Romy at her workplace, which focuses on automated parcel delivery. A group of interns has joined the team, one of whom, Samuel (Harris Dickinson), appears unfazed. Their exchanges carry tension; when Romy asks him to get her a coffee, he obliges but warns her against drinking it after lunch. This moment leaves Kidman momentarily stunned—Is it old-school sexism, a health tip from a blunt Gen Z, or a flirtation with hidden implications? Director Halina Reijn (of Bodies Bodies Bodies fame) skillfully captures the subtle undercurrents in their interactions.

Once the extramarital affairs begin, the power dynamics shift, with Samuel taking a more dominant role. One might think we’re entering another Fifty Shades of Grey territory, but the film presents these escapades with more real-world stakes and a touch of humor, acknowledging the absurdity of the situation. The film subtly questions its own narrative—Are we really engaging in this?

In its satirical take on corporate life, Babygirl occasionally holds back, but it certainly has its moments of directness. Romy’s casual reference to her upbringing in “communes and cults” suggests a mindset suited for sexual power games—or perhaps for certain styles of leadership. The question of “Who’s in charge?” continues to shift throughout the film, though one answer remains conspicuously obvious: Romy’s Midtown office is actually the headquarters for A24, the film’s studio backers.

Given the film’s focus on sex, strong performances are crucial. Dickinson successfully navigates a character whose combination of youthful awkwardness and bedroom confidence could have been challenging to portray.

However, Kidman’s nuanced interpretation brings depth to Reijn’s concepts. Interestingly, Babygirl contains much less nudity than one might anticipate, yet it remains provocative enough to prompt reflection on why actors like Kidman and Demi Moore find themselves regaining prominence in Hollywood. Is it liberating, or is there something more complex at play? Babygirl may leave this open to interpretation, but it’s clear that Reijn intended for the film to resonate, provoking thought and discussion long after the credits roll.

Entertainment

Dhurandhar box office collection crosses Rs 1,000 crore worldwide in 21 days

Dhurandhar has crossed Rs 1,000 crore worldwide within 21 days, becoming the highest-grossing Indian film of 2025 so far.

Published

on

Dhurandhar

Dhurandhar continues its strong theatrical run, achieving a major milestone at the global box office. The Ranveer Singh-led film has crossed the Rs 1,000 crore mark worldwide within 21 days of its release, reinforcing its position as the highest-grossing Indian film of 2025 so far.

Released on December 5, the film has shown sustained momentum both in India and overseas, outperforming other major releases of the year and entering the elite Rs 1,000 crore club.

Strong worldwide and domestic performance

According to figures shared by the makers, Dhurandhar has earned Rs 1006.7 crore globally in just three weeks. With this, it has gone past earlier big releases of the year, including Kantara Chapter 1 and Chhaava, to set a new benchmark in worldwide collections.

In the domestic market, the film has posted equally impressive numbers. Over its first 21 days, Dhurandhar collected more than Rs 650 crore in India. The film earned Rs 28.60 crore on Day 21, which coincided with Christmas, further boosting its overall tally.

A closer look at the India collections shows a strong week-wise performance. The film opened with Rs 218 crore in its first week, followed by Rs 261.50 crore in the second week. Between Days 15 and 20, it added Rs 160.70 crore. With the Day 21 earnings included, the total net domestic collection stands at Rs 668.80 crore, placing it among the biggest box office successes of the year and pushing it closer to the Rs 700 crore mark in India.

Entry into top domestic earners list

With its current numbers, Dhurandhar has also secured a spot among the top ten highest-grossing Indian films based on domestic net collections. The film has overtaken Ranbir Kapoor’s Animal to claim the ninth position on the list, underlining its exceptional run in theatres.

Cast, direction and sequel announcement

Headlined by Ranveer Singh, Dhurandhar features an ensemble cast that includes Akshaye Khanna, Arjun Rampal, Sanjay Dutt, R. Madhavan, Sara Arjun and Rakesh Bedi. The film is directed by Aditya Dhar, whose storytelling and the performances of the cast have been key factors behind its box office success.

The makers have already confirmed a sequel, which was hinted at in the post-credit scene. The follow-up film is scheduled to release on March 19, 2026, and will hit theatres in Hindi, Tamil, Telugu, Kannada and Malayalam.

With its record-breaking global earnings and continued strong performance in India, Dhurandhar is set to close 2025 as one of the most successful Indian films in recent years.

Continue Reading

Entertainment

Govinda’s Avatar: Fire and Ash cameo clips go viral, truth behind the AI-generated videos

AI-generated videos claiming Govinda’s cameo in Avatar: Fire and Ash have gone viral, but the actor does not appear in the film.

Published

on

Govinda’s ‘Avatar: Fire and Ash’ cameo clips go viral, truth behind the AI-generated videos

Social media users were left amused and confused after several viral clips claimed that Bollywood actor Govinda had made a surprise cameo in Avatar: Fire and Ash. The videos, which surfaced days after the film’s global release, showed Govinda as a blue-skinned Na’vi on Pandora, delivering dialogues in his trademark style or appearing on screen alongside Jake Sully.

The clips spread rapidly across platforms, with many viewers enjoying the humour, while others questioned whether the filmmaker had actually pulled off an unexpected crossover. Comments ranged from jokes asking where the “full movie” could be watched to disbelief over the possibility of such a casting choice.

No real cameo, clips are entirely AI-generated

Despite their convincing visuals, the viral videos are not authentic. Govinda does not appear in Avatar: Fire and Ash in any form. All the circulating clips and images have been created using artificial intelligence and fan edits, meant purely as memes and satire.

The buzz grew partly because of an old interview where Govinda had claimed he was once offered a role in Avatar but declined it. In that interaction, the actor spoke about being approached for a long shooting schedule and even claimed to have suggested the film’s title. However, this account was later questioned by his wife, Sunita Ahuja, who publicly said she was unaware of any such offer and distanced herself from the claim.

How old claims added fuel to the viral joke

Sunita Ahuja, speaking in a recent podcast, said she had no knowledge of the filmmaker visiting or offering Govinda a role, adding that she did not support false narratives. Her remarks resurfaced as the AI-generated clips went viral, reinforcing that the current buzz has no factual basis.

Avatar, directed by James Cameron, released in 2009, followed by The Way of Water in 2022. Avatar: Fire and Ash, the third instalment of the franchise, is currently running in cinemas worldwide, featuring Sam Worthington and Zoe Saldana in lead roles.

Continue Reading

Entertainment

The Odyssey trailer: Christopher Nolan unveils first look of epic journey led by Matt Damon

Christopher Nolan has released the first trailer of The Odyssey, offering a glimpse into Matt Damon’s epic journey home after the Trojan War.

Published

on

The oddyssey

Christopher Nolan’s much-awaited film The Odyssey has officially stepped into the spotlight with the release of its first trailer. The ambitious project adapts Homer’s legendary epic and promises a large-scale cinematic experience rooted in myth, war and survival.

A glimpse into Odysseus’ long journey home

The trailer introduces Matt Damon as Odysseus, the Greek hero trying to make his way back home after the Trojan War. The visuals open in the immediate aftermath of the war, showing Odysseus leading his men away from Troy with the hope of returning to their families. However, the journey ahead appears long and dangerous.

Scenes highlight harsh landscapes, turbulent seas and repeated shipwrecks, underlining the physical and emotional toll of the voyage. The focus remains on endurance and survival rather than dialogue, with visuals driving the narrative forward.

One notable sequence shows Odysseus and his soldiers hidden inside the Trojan Horse, confirming that the fall of Troy forms part of the film’s early chapters. Another moment set in a dark cave, with an ominous moving shadow, hints at mythical threats without revealing them fully.

Family ties at the heart of the story

Alongside the action, the trailer places emphasis on family and emotional bonds. Tom Holland appears as Telemachus, Odysseus’ son, while Anne Hathaway plays Penelope, his wife waiting for his return. Their presence adds a personal dimension to the otherwise grand scale of the story.

Ensemble cast and technical scale

The film features an extensive cast that includes Zendaya, Lupita Nyong’o, Charlize Theron, Robert Pattinson, Mia Goth, Benny Safdie, Jon Bernthal, John Leguizamo, Elliot Page, Himesh Patel and Corey Hawkins, alongside Damon, Hathaway and Holland.

Christopher Nolan has written and directed The Odyssey and is producing it with Emma Thomas. Backed by a major studio, the film has been shot using new IMAX technology and is described as the first feature made entirely using IMAX’s largest film format.

The Odyssey is scheduled for a worldwide theatrical release on July 17, 2026.

Continue Reading

Trending

© Copyright 2022 APNLIVE.com