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BAFTA 2023: SS Rajamouli’s RRR out of final shortlist, check full nominations here

The BAFTA 2023 will take place on February 19.

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BAFTA 2023

After winning the prestigious Golden Globe Award 2023 for Best Original Song, SS Rajamouli’s RRR was eyeing nominations for the BAFTA 2023. The film failed to make it to the final shortlist announced on Thursday.

However, the Indian film All That Breathes, helmed by Shaunak Sen, has made it to the nominations for Best Documentary. The BAFTA 2023 will take place on February 19.

Full nominations for BAFTAs 2023

Best Film

  • All Quiet on the Western Front
  • The Banshees of Inisherin
  • Elvis
  • Everything Everywhere All at Once
  • Tár

Outstanding British Film

  • Aftersun
  • The Banshees of Inisherin
  • Brian and Charles
  • Empire of Light
  • Good Luck to You, Leo Grande
  • Living
  • Roald Dahl’s Matilda the Musical
  • See How They Run
  • The Swimmers
  • The Wonder

Best Director

  • Edward Berger – All Quiet on the Western Front
  • Martin McDonagh – The Banshees of Inisherin
  • Park Chan-wook – Decision to Leave
  • Daniel Kwan, Daniel Scheinert – Everything Everywhere All at Once
  • Todd Field – Tár
  • Gina Prince-Bythewood – The Woman King

Best Leading Actress

  • Cate Blanchett – Tár
  • Viola Davis – The Woman King
  • Danielle Deadwyler – Till
  • Ana de Armas – BlondeEmma Thompson – Good Luck to You, Leo Grande
  • Michelle Yeoh – Everything Everywhere All At Once

Best Leading Actor

  • Austin Butler – Elvis
  • Colin Farrell – The Banshees of Inisherin
  • Brendan Fraser – The Whale
  • Daryl McCormack – Good Luck to You, Leo Grande
  • Paul Mescal – Aftersun
  • Bill Nighy – Living

Best Supporting Actress

  • Angela Bassett – Black Panther: Wakanda Forever
  • Hong Chau – The Whale
  • Kerry Condon – The Banshees of Inisherin
  • Dolly De Leon – Triangle of Sadness
  • Jamie Lee Curtis – Everything Everywhere All at Once
  • Carey Mulligan – She Said

Best Supporting Actor

  • Brendan Gleeson – The Banshees of Inisherin
  • Barry Keoghan – The Banshees of Inisherin
  • Ke Huy Quan – Everything Everywhere All at Once
  • Eddie Redmayne – The Good Nurse
  • Albrecht Schuch – All Quiet on the Western Front
  • Micheal Ward – Empire of Light

Best Outstanding Debut by a British Writer, Director, or Producer

  • Aftersun
  • Blue Jean
  • Electric Malady
  • Good Luck to You, Leo Grande
  • Rebellion

Best Film Not in the English Language

  • All Quiet on the Western Front
  • Argentina, 1985
  • Corsage
  • Decision to Leave
  • The Quiet Girl

Best Documentary

  • All that Breathes
  • All the Beauty and the Bloodshed
  • Fire of Love
  • Moonage Daydream
  • Navalny

Best Animated Film

  • Guillermo del Toro’s Pinocchio
  • Marcel the Shell with Shoes On
  • Puss in Boots: The Last Wish
  • Turning Red

Best Original Screenplay

  • Martin McDonagh – The Banshees of Inisherin
  • Daniel Kwan, Daniel Scheinert – Everything Everywhere All at Once
  • Tony Kushner, Steven Spielberg – The Fabelmans
  • Todd Field – Tár
  • Ruben Östlund – Triangle of Sadness

Best Adapted Screenplay

  • Edward Berger, Lesley Paterson, Ian Stokell – All Quiet on the Western Front
  • Kazuo Ishiguro – Living
  • Colm Bairéad – The Quiet Girl
  • Rebecca Lenkiewicz – She Said
  • Samuel D Hunter – The Whale

Best Original Score

  • All Quiet on the Western Front – Volker Bertelmann
  • Babylon – Justin Hurwitz
  • The Banshees of Inisherin – Carter Burwell
  • Everything Everywhere All at Once – E Son Lux
  • Guillermo del Toro’s Pinocchio – Alexandre Desplat

Best Casting

  • Aftersun – Lucy Pardee
  • All Quiet on the Western Front – Simone Bär
  • Elvis – Nikki Barrett, Denise Chamian
  • Everything Everywhere All at Once – Sarah Halley Finn
  • Triangle of Sadness – Pauline Hansson

Best Cinematography

  • All Quiet on the Western Front – James Friend
  • The Batman – Greig Fraser
  • Elvis – Mandy Walker
  • Empire of Light – Roger Deakins
  • Top Gun: Maverick – Claudio Miranda

Best Editing

  • All Quiet on the Western Front – Sven Budelmann
  • The Banshees of Inisherin – Mikkel EG Nielsen
  • Elvis – Jonathan Redmond, Matt Villa
  • Everything Everywhere All at Once – Paul Rogers
  • Top Gun: Maverick – Eddie Hamilton

Best Production Design

  • All Quiet on the Western Front – Christian M Goldbreck, Ernestine Hipper
  • Babylon – Florencia Martin, Anthony Carlino
  • The Batman – James Chinlund, Lee Sandales
  • Elvis – Catherine Martin, Karen Murphy, Bev Dunn
  • Guillermo del Toro’s Pinocchio – Curt Enderle, Guy Davis

Best Costume Design

  • All Quiet on the Western Front – Lisy Christl
  • Amsterdam – JR Hawbaker, Albert Wolsky
  • Babylon – Mary Zophres
  • Elvis – Catherine Martin
  • Mrs Harris Goes to Paris – Jenny Beavan

Best Makeup and Hair

  • All Quiet on the Western Front – Heike Merker
  • The Batman – Naomi Donne, Mike Marino, Zoe Tahir
  • Elvis – Jason Baird, Mark Coulier, Louise Coulston, Shane Thomas
  • Roald Dahl’s Matilda the Musical – Naomi Donne, Barrie Gower, Sharon Martin
  • The Whale – Anne Marie Bradley, Judy Chin, Adrien Morot

Best Sound

  • All Quiet on the Western Front – Lars Ginzsel, Frank Kruse, Viktor Prášil, Markus Stemler
  • Avatar: The Way of Water – Christopher Boyes, Michael Hedges, Julian Howarth, Gary Summers, Gwendoyln Yates Whittle
  • Elvis – Michael Keller, David Lee, Andy Nelson, Wayne Pashley
  • Tár – Deb Adair, Stephen Griffiths, Andy Shelley, Steve Single, Roland Winke
  • Top Gun: Maverick – Chris Burdon, James H Mather, Al Nelson, Mark Taylor, Mark Weingarten

Best Special Visual Effects

  • All Quiet on the Western Front – Markus Frank, Kamil Jafar, Viktor Müller, Frank Petzoid
  • Avatar: The Way of Water – Richard Baneham, Daniel Barrett, Joe Letteri, Eric Saindon
  • The Batman – Russell Earl, Dan Lemmon, Anders Langlands, Dominic Tuohy
  • Everything Everywhere All at Once – Benjamin Brewer, Ethan Feldbau, Jonathan Kombrinck, Zak Stoltz
  • Top Gun: Maverick – Seth Hill, Scott R Fisher, Bryan Litson, Ryan Tudhope

British Short Animation

  • The Boy, the Mole, the Fox and the Horse
    Middle Watch
  • Your Mountain is Waiting
  • BRITISH SHORT FILM
  • The Ballad of Olive Morris
  • Bazigaga
  • Bus Girl
  • A Drifting Up
  • An Irish Goodbye

EE Rising Star Award (voted for by the public)

  • Aimee Lou Wood
  • Daryl McCormack
  • Emma Mackey

Entertainment

Dhurandhar review: Ranveer Singh roars back, Akshaye Khanna shines in intense spy thriller

Ranveer Singh returns with a ferocious performance in Dhurandhar, supported by Akshaye Khanna, Sanjay Dutt, and a gripping espionage storyline set against real historical events.

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Dhurandhar review

Ranveer Singh makes a striking return to the big screen with Dhurandhar, delivering a fierce, layered performance in Aditya Dhar’s ambitious spy thriller. Blending historical terror incidents with a fictional revenge saga, the film explores India’s covert response to cross-border terrorism through the secret project ‘Dhurandhar’.

A brutal world built around revenge and espionage

Set around the IC-814 Kandahar hijack and the 2001 Parliament attack, Dhurandhar opens with Ajay Sanyal, an Intelligence Bureau officer played by R Madhavan, who strongly opposes releasing captured terrorists. Despite his resistance, bureaucracy prevails, setting the stage for the covert mission he later leads.

The project introduces its central weapon — Humza Ali Mazari, later revealed to be Jaskirat Singh Rangil — portrayed by Ranveer Singh with ferocity and emotional depth. Dropped straight into Karachi’s dangerous Lyari district, Humza navigates a nexus of gangs, politicians, and the ISI, with the narrative also touching upon tensions between local Pakistanis and Baloch communities.

Performances that elevate the film

Akshaye Khanna nearly steals the spotlight as a feared Lyari gangster inspired by Rehman ‘Dakait’ Baloch. Sanjay Dutt’s portrayal of SP Chaudhry Aslam brings an intimidating presence, while Arjun Rampal’s Major Iqbal leaves a lingering impact despite limited screen time.

Sara Arjun plays Yalina with conviction, and the film also features an unrecognisable Gaurav Gera in a surprise appearance.

Music, violence, and a split narrative

Shashwat Sachdev’s background score stands out, weaving classic Pakistani melodies with Indian retro hits to complement the film’s shifting tones. Viewers should be prepared for intense brutality, graphic torture scenes, and sudden shifts in narrative style — especially in a second half that feels markedly different from the first.

The episodic structure, archival footage, and mix of real and fictional characters add layers, though some may find the format distracting.

Ending that sets up part two

While the film does not end on a dramatic cliffhanger, its teaser for the second part — scheduled for March 19, 2026 — ensures audiences will return to witness the conclusion of Humza’s journey.

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Entertainment

120 Bahadur box office day 1: Farhan Akhtar’s film starts slow with Rs 2.35 crore opening

Farhan Akhtar’s new release 120 Bahadur opened to Rs2.35 crore, while De De Pyaar De 2 continued its strong hold on day eight.

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Farhan akhtar

Farhan Akhtar’s latest release 120 Bahadur hit theatres on November 21 but registered a dull opening on its first day, earning Rs 2.35 crore. In comparison, De De Pyaar De 2, which is now in its second week, continues to show stronger hold at the box office.

Slow start for 120 Bahadur on day one

The action-drama opened to modest numbers on Friday, collecting Rs2.35 crore on its first day. Despite pre-release buzz around Farhan Akhtar’s performance, the film has begun its run on the lower side.

De De Pyaar De 2 maintains its advantage

Meanwhile, De De Pyaar De 2 continues its steady run. On its eighth day, the film maintained an edge over 120 Bahadur in overall earnings, according to media. The strong hold of the Ajay Devgn-led sequel appears to have impacted the new release’s opening day business.

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Entertainment

Family Man 3 ending triggers online backlash despite strong reviews

The Family Man 3 has impressed viewers with its performances and storytelling, but its abrupt ending has sparked online criticism, leaving fans demanding closure.

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Family man

Fans of The Family Man 3 are celebrating the gripping new season, but a large section of viewers has taken to social media to criticise what they describe as an “abrupt” and “unsatisfying” ending. The latest season, which released on Amazon Prime Video on Friday, has drawn praise for its emotional depth and high-stakes storytelling, yet its final moments have left many feeling short-changed.

Viewers disappointed with the “sudden” conclusion

Soon after the release, frustrated fans began sharing their reactions online. One viewer wrote that the season “ends so abruptly it feels like the makers simply packed up and went home,” calling the lack of closure “exhausting”. Another comment read, “#TheFamilyMan3… ahh ending entra. Fully disappointed.”

Some tried to strike a balanced tone, acknowledging the well-crafted emotional arc and a comic cameo stretch that offered relief. However, the overall complaint remained the same — that the season cuts off just when the tension reaches its peak. “Why make us watch the entire season if the makers plan to keep the best part hanging for the next one?” a user questioned.

Still, many fans have labelled the show “engaging” and applauded the team for delivering another compelling chapter.

Season 3: Srikant caught between personal turmoil and a national crisis

The new season places Srikant Tiwari (Manoj Bajpayee) in one of the most complicated phases of his life. His relationship with Suchitra (Priyamani) appears strained, marked by distance and unspoken tension. Even as his home life falters, a series of coordinated blasts in the Northeast within 48 hours threatens a major peace initiative led by Prime Minister Basu (Seema Biswas).

Srikant and his senior officer Gautam Kulkarni (Dalip Tahil) travel to Nagaland to salvage Project Sahakar, relying on regional leader David Khuzou (Sunil Thapa) to bring warring sides to agreement. But the fragile situation collapses after a deadly ambush by drug kingpin Rukma (Jaideep Ahlawat), leaving David and Kulkarni dead. Srikant survives but soon becomes a suspect as investigators scrutinise how he was the only one aware of the convoy’s route.

Meanwhile in Mumbai, Suchitra faces her own crisis after the government bans 69 Chinese apps, including her platform ShrinkMe, sparking online targeting that impacts her family.

With an arrest warrant issued against him, Srikant chooses to escape with his family, setting off a tense chase as he tries to prove his innocence. Each twist raises new questions — who planned the ambush, and why is Srikant being framed?

Final reactions

While audiences largely appreciated the writing, performances and momentum, the widespread sentiment remains that the season’s final act lacked the closure fans expected. Many now hope the next instalment arrives sooner and concludes the arc that Season 3 left unresolved.

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