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Big Bang Theory trolls Indian cricketers; fans not amused

Published

8 years ago

on

[vc_row][vc_column][vc_column_text]Not impressed with the troll on the cricket stars, Indian fans took no time to express their disappointment through posts on Twitter.

Popular American sitcom, ‘The Big Bang Theory’, recently faced outrage from its Indian fans after the television series trolled ace Indian cricketers – including Ravichandran Ashwin, Hardik Pandya, Bhubaneshwar Kumar – during the latest episode of the series 11th season.

The story line of the comedy series revolves around four scientists – Sheldon Cooper (played by Jim Parsions), Leonard Hofstadter (played by Johnny Galecki), Rajesh Koothrappali (played by Kunal Nayar), and Howard Wolowitz (played by Simon Helberg).

With Brittish Indian actor Kunal Nayar playing one of the lead roles, the show managed clinch a huge fan base in India over the last few years. However, in a recent episode, Kunal’s fictional character Rajesh trolled the celebrated Indian cricketers, while he was in conversation with ‘Howard Wolowitz’.

In the episode the actors enacted a scene at the bar where a cricket match was being screened.

“I don’t get how you can enjoy cricket, it makes no sense!” Wolowitz tells Rajesh.

“That’s Ravichandran Ashwin, he is amazing. He makes Hardik Pandya look like Bhuvneshwar Kumar,” replies Rajesh.

“Wooah, wooah, wooah! Save syllables for the rest of us,” says Wolowitz.

Not impressed with the troll on the cricket stars, Indian fans took no time to express their disappointments through posts on Twitter.[/vc_column_text][vc_raw_html]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[/vc_raw_html][vc_column_text]While Hardik Pandya and Bhuvaneshwar Kumar are on the top of their cricketing form, Ashwin had been dropped in the recent limited over series – and replaced with Yuzvendra Chahal and Kuldeep Yadav. The ace off-spinner is expected to play for the Men in Blue’s Test squad in the upcoming India-Sri Lanka series – which starts from November 16.[/vc_column_text][/vc_column][/vc_row]

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The Family Man 3 first glimpse: Jaideep Ahlawat, Nimrat Kaur join action thriller series

Published

7 months ago

on

June 29, 2025

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Streaming platform Prime Video unveiled the first look of the much-anticipated third season of The Family Man on Friday, introducing actors Jaideep Ahlawat and Nimrat Kaur as formidable new adversaries to Manoj Bajpayee’s iconic spy, Srikant Tiwari.

The action-packed thriller, created and directed by Raj Nidimoru and Krishna DK, will see Bajpayee reprise his role as Tiwari, a middle-class man navigating the high-stakes world of espionage. The new season, penned by Suman Kumar in collaboration with Raj & DK, will also feature returning cast members Priyamani, Sharib Hashmi, Ashlesha Thakur, and Vedant Sinha.

In a joint statement, Raj & DK expressed their excitement about elevating the series. “Each season, we strive to raise the bar with a more gripping story, grander scale, and sharper performances. We’re thankful for our fans’ patience. Season 3 will push Srikant and his team to their limits, immersing them in a world of intense danger and personal turmoil that tests their bonds. While juggling a new family dynamic, Srikant will face off against powerful new antagonists, brought to life by the incredibly talented Jaideep Ahlawat and Nimrat Kaur. Our collaboration with Prime Video has been instrumental in shaping this season,” they said.

The upcoming season will follow Srikant as he tackles a looming threat to national security while grappling with the challenges of family life, striving to repair his strained relationship with his wife, Suchitra, played by Priyamani. Details about the roles of Ahlawat, known for Paatal Lok, and Kaur, celebrated for The Lunchbox and Airlift, remain undisclosed, adding to the anticipation.

The Family Man debuted to widespread acclaim in 2019, with its second season, featuring Samantha Ruth Prabhu, earning similar praise in 2021. As excitement builds for the third installment, the addition of Ahlawat and Kaur promises to intensify the stakes for Srikant Tiwari’s latest mission.

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Aamir Khan starrer Sitaare Zameen Par crosses Rs 90-crore mark

Published

7 months ago

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June 27, 2025

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Aamir Khan’s latest cinematic offering, Sitaare Zameen Par, has amassed a nett collection of ₹90 crore domestically within its debut week. Directed by R S Prasanna, the film hit cinemas on 20 June 2025, serving as a spiritual successor to the widely acclaimed 2007 release Taare Zameen Par, and has struck a chord with audiences.

According to Sacnilk, the film opened strongly with ₹10.7 crore nett at the domestic box office, setting the stage for a solid run. Touted as a heartfelt exploration of neurodivergence, Sitaare Zameen Par features Aamir as a basketball coach guiding ten differently-abled individuals towards triumph.

The cast includes Genelia D’Souza alongside fresh talents Aroush Datta, Gopi Krishna Varma, Samvit Desai, Vedant Sharma, Ayush Bhansali, Ashish Pendse, Rishi Shahani, Rishabh Jain, Naman Mishra, and Simran Mangeshkar, with the screenplay penned by Divy Nidhi Sharma. The project is a collaborative production by Aamir Khan, Aparna Purohit, and Ravi Bhagchandka under Aamir Khan Productions.

Critics have noted its connection to the 2018 Spanish drama Campeones (remade in English in 2023 with Woody Harrelson), echoing Taare Zameen Par’s mission to raise awareness about neurodiversity. However, some reviews suggest a didactic approach, with one stating, “Every scene is crafted to deliver a lesson, often tipping the balance from entertaining to preachy, which can frustrate viewers despite Aamir’s knack for edifying cinema.”

The film’s narrative, centred on mentorship and inclusion, has resonated emotionally, contributing to its box office success. Its opening figures and positive word of mouth hint at a potential surge over the weekend.

Earlier today, Aamir participated in a virtual fan meet to celebrate the milestone, sharing anecdotes from the set and praising the young cast’s dedication. “Their energy inspired every frame,” he remarked, boosting fan excitement online. The session, joined by enthusiastic supporters, highlighted the film’s impact, with many lauding its uplifting message.

As Sitaare Zameen Par progresses into its second week, its ₹90 crore haul underscores Aamir Khan’s enduring appeal. Whether it maintains this momentum amidst mixed critical reception remains to be seen, but its strong start has certainly reignited interest in his storytelling legacy.

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Rajkumar Hirani, Shoojit Sircar, Anjali Menon and Onir collaborate to direct second part of My Melbourne

Published

7 months ago

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June 26, 2025

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Acclaimed Indian filmmakers Rajkumar Hirani, Shoojit Sircar, Anjali Menon, and Onir are teaming up for the second edition of My Melbourne, an Indo-Australian anthology film project that celebrates cultural diversity and strengthens cinematic ties between India and Australia, according to a press release.

Produced by Mind Blowing Films and presented by the Indian Film Festival of Melbourne (IFFM), the anthology builds on the success of its inaugural edition, released in March 2025. The first film featured short stories by directors Rima Das, Imtiaz Ali, Kabir Khan, and Onir, exploring themes of identity, gender, race, sexuality, and disability.

Mitu Bhowmick Lange, CEO of Mind Blowing Films and the project’s creative producer, described the response to the first My Melbourne as “immensely gratifying.” She said, “The film showed that authentic, heartfelt stories can resonate across borders. We’re privileged to have some of India’s most celebrated filmmakers contribute their vision to this second chapter. This initiative continues to champion inclusivity and collaboration, offering a platform for emerging talents from underrepresented communities.”

Rajkumar Hirani, renowned for blockbusters like Munna Bhai, 3 Idiots, PK, Sanju, and Dunki, expressed enthusiasm for the project. “My Melbourne is a unique canvas for crafting stories that are personal yet universal, bridging cultures through cinema,” he said.

Anjali Menon, known for her nuanced storytelling, highlighted the project’s alignment with her creative vision. “The themes of My Melbourne resonate deeply with my approach to storytelling—narratives that foster empathy and connect people across divides. I’m excited to be part of this cross-continental collaboration,” she said.

Shoojit Sircar, whose diverse filmography includes Vicky Donor, Madras Cafe, Piku, October, and Sardar Udham, emphasized the universal appeal of the anthology. “Stories transcend borders. My Melbourne is a powerful reminder that locally rooted narratives can carry global impact,” he said.

Onir, returning for the second edition, described the project as “an evolving journey.” He added, “Working with fresh themes and voices while continuing this meaningful initiative is profoundly fulfilling.”

The second instalment of My Melbourne promises to further the anthology’s mission of weaving diverse narratives, fostering cross-cultural dialogue, and spotlighting new voices in cinema.

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