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From Modern Love Mumbai to Four More Shots, a look at overrated Indian shows

5 overrated Indian shows to flee from.

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Modern Love Mumbai

With the advent of OTT platforms in India, the Indian audience bid adieu to the ‘saas-bahu drama’ on television. Myriad shows, dedicated to the OTT audience, have been released for the past few years, especially during the coronavirus pandemic.

The audience got the substance and relatability they needed in the content they consumed and were freed from stereotypical and regressive content served on Hindi channels.

Production houses released web shows and films on OTT platforms every week which is overwhelming for the audience. There are shows that created a hullabaloo among fans with their first part and on the flip side, there are shows that fizzled out after their first episode. And there are also shows with out-of-the-box marketing on social media but didn’t turn out to be worth the hype.

With the N-number of OTT platforms around, it was natural that there would be N-number of shows. If you are a sucker for Indian web shows, you might have friends who can’t stop talking about a particular show and made you binge-watch it but you were disappointed! This article is for you poor souls who end up choosing overrated shows going by social media trends.

5 overrated Indian shows to flee from

Fabulous Lives of Bollywood Wives

Nepotism has many negative sides but Karan Johar took the cliche and turned it upside down. He featured his four best buddies Seema Kiran Sajdeh, Neelam Kothari, Bhavana Pandey, and Maheep Kapoor and doled out a 21st-century favour to them by helping them retain their long-lost fame or the fame their husbands never enjoyed.

Fabulous Lives of Bollywood Wives is like a drunk mistake everyone regrets the next morning. And they had the audacity to come up with a second season? Why? Why was this series even made? Netflix! Why so tasteless?

Modern Love Mumbai

Bankrolled by Pritish Nandy, this Amazon Prime Video series brings you six stories of human connection. The six-story series has been directed by Shonali Bose, Hansal Mehta, Alankrita Shrivastava, Vishal Bhardwaj, Nupur Asthana, and Dhruv Sehgal.

Inspired by Modern Love by John Carney, Modern Love Mumbai has beautiful stories but what’s new. Similar themes and content have been seen in Lust Stories and Made in Heaven and films like Kapoor And Sons and Tamasha. Six stories dealing with people’s complexities and finding love and connection are monotonous and can be seen in every other OTT series. Yawn!

Four More Shots Please!

Starring Bani J, Sayani Gupta, Kirti Kulhari, and Maanvi Gagroo in the lead, Four More Shots Please is an utter waste of time. It’s a weak-ass watered-down version of Sarah Jessica Parker’s Sex And The City. The acting, plot, and dialogues seem to be written by the scriptwriter under extreme duress, such as at gunpoint. And the drama in the show will remind you of the much-criticised portrayal of feminism in Rhea Kapoor’s film Veerey Di Wedding.

Little Things

Starring Mithila Palkar and Dhruv Sehgal, Little Things has very little substance. Same old mundane urban relationship and cohabitation scuffle. The show is popular among the young, but again the story is as stale as a week-old loaf of bread. Palkar has already appeared in similar content produced by Filter Copy and TVF. Moreover, the makers came up with sequels which kind of pulverised the little substance the show had into nothing.

Aarya

The crime-thriller might have changed Sushmit Sen’s life for good but the show is just another casual watch on Hotstar. With shows like Criminal Justice, Made In Heaven, The Great Indian Murder, et al, Aarya is like a showpiece in your living room, gathering dust and no one caring to clean it. The only watchable thing about Aarya is Sen who returned to the screen after years of hiatus.

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Ustaad Bhagat Singh review: Pawan Kalyan shines in high-action entertainer

Pawan Kalyan’s Ustaad Bhagat Singh opens to strong fan reactions, with praise for action and performance but mixed views on the story.

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Ustaad Bhagat Singh, starring Pawan Kalyan, has hit theatres on the occasion of Ugadi, generating strong buzz among audiences. Early reactions shared on social media platform X suggest that the film is being received as a high-energy, action-packed entertainer, driven largely by the lead actor’s screen presence.

The film follows the journey of a morally upright man, raised by a principled teacher who names him Bhagat Singh, who later grows up to become a fearless police officer. As he takes on a corrupt and powerful politician, the narrative revolves around justice, legacy, and standing up against wrongdoing.

Fans praise action, energy and mass appeal

Audience reactions indicate that the film caters strongly to fans of Pawan Kalyan. Several viewers highlighted sequences such as the introduction, comedy moments, and action scenes—especially the “Lungi Fight”—as standout elements. Many described the film as a “celebration” for fans, particularly during the festive release.

Some viewers also pointed to strong word-of-mouth and packed theatres, noting enthusiastic crowd responses and family audiences turning up in large numbers.

Mixed opinions on story and screenplay

Despite the strong fan response, not all feedback has been entirely positive. A section of viewers felt that while Pawan Kalyan delivers an energetic performance, the film lacks a solid narrative foundation.

Criticism has been directed at the film’s screenplay, particularly in the second half, with some calling it routine and predictable. Others mentioned that while parts of the first half work well, the overall impact is diluted by an inconsistent storyline and underdeveloped characters.

Overall response

Early reactions suggest that Ustaad Bhagat Singh is largely being viewed as a star-driven film, with Pawan Kalyan’s performance emerging as its biggest strength. While it appeals strongly to his fan base with action and mass moments, the film has received mixed feedback for its writing and execution.

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Border 2 box office collection day 12 crosses Rs 286 crore, eyes Rs 300 crore milestone

Border 2 box office collection reaches Rs 286.75 crore after 12 days, putting the Sunny Deol-led film close to the Rs 300 crore milestone.

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Sunny Deol in Border 2

Sunny Deol’s Border 2 continues its impressive run at the domestic box office, edging closer to the Rs 300 crore mark by the end of its second week. The war drama, which hit theatres on January 23, has shown consistent collections since its release.

On its second Tuesday, the film earned an estimated Rs 5.75 crore, taking its total earnings to Rs 286.75 crore after 12 days.

Border 2 box office performance so far

The film matched its Monday earnings on February 3, adding Rs 5.75 crore to its tally. With this, Border 2 has managed to hold firm on weekdays, a sign of sustained audience interest.

The film delivered a robust opening week, collecting Rs 224.25 crore, supported by the extended Republic Day holiday period.

Second weekend boosts collections

The second weekend provided another lift to the film’s box office numbers. Friday saw collections of Rs 10.75 crore, followed by Rs 17.75 crore on Saturday. Sunday emerged as the strongest day of the weekend, contributing Rs 22.5 crore to the total.

Monday, which coincided with Republic Day, turned out to be the film’s highest single-day performer so far, with earnings touching Rs 59 crore.

With its current pace, Border 2 has already surpassed the opening weekend figures of Ranveer Singh’s Dhurandhar.

Border 2 review

In a review, film critic Saibal Chatterjee noted that Border 2 succeeds in highlighting the courage of soldiers while also touching upon their emotional vulnerabilities. The film explores themes of separation, loss, fear, and hope, presenting moments of heroism amid personal struggles.

About the film

Directed by Anurag Singh, Border 2 features an ensemble cast including Sunny Deol, Diljit Dosanjh, Varun Dhawan, and Ahan Shetty. Set against the backdrop of the 1971 India-Pakistan war, the film is positioned as a spiritual successor to the 1997 classic Border.

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Why Dhurandhar on Netflix runs shorter than its original theatrical cut

Dhurandhar’s Netflix release sparked confusion over its shorter runtime. The difference is linked to muted dialogue and an updated theatrical cut.

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Dhurandhar

Dhurandhar has finally made its much-awaited debut on Netflix, just days after the Ranveer Singh-starrer completed a blockbuster theatrical run across India. While the film crossed Rs 1,000 crore domestically and went past Rs 1,300 crore worldwide, its OTT release has triggered confusion and criticism over its shorter runtime.

Several viewers took to social media early Friday, claiming that a “censored” version of Dhurandhar was streaming on Netflix. The runtime displayed on the platform is 3 hours and 25 minutes, nearly nine minutes shorter than the film’s originally reported duration of 3 hours and 34 minutes.

What caused the runtime difference

The confusion stems from changes made after the film’s initial theatrical release. According to the revised censor certificate, Dhurandhar now has an approved runtime of 3 hours 28 minutes and 56 seconds. This updated version replaced the earlier cut in cinemas starting January 1.

The revision followed directions to mute two specific words and one dialogue referring to the Baloch community. These changes were implemented without removing scenes, resulting in a marginally shorter runtime.

What viewers noticed on Netflix

Audiences streaming the film on Netflix observed muted portions during a scene involving Sanjay Dutt’s character, SP Chaudhary Aslam. In the original version, the dialogue included a direct reference to a former Baloch police partner. In the revised cut now available on Netflix, those references are muted, while English subtitles offer a generalised translation without naming the community.

Some viewers also pointed out that the film appears to play slightly faster on the platform, contributing to the perception that content had been trimmed.

Is Netflix streaming a censored cut

Industry insiders have clarified that Netflix is carrying the final theatrical version approved by the authorities. As an OTT distributor, the platform uploads films exactly as provided by the producers. The version streaming online is the same revised cut that has been screening in theatres since January.

Importantly, the film’s intense and graphic depiction of violence remains unchanged in the OTT version.

In short, Dhurandhar on Netflix is not a specially edited or censored cut for streaming. It is the updated theatrical version, adjusted for muted dialogue and presented with a slightly faster frame rate.

Following its OTT release, audiences can now look ahead to the sequel, Dhurandhar: The Revenge, scheduled for release on March 19, 2026.

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